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I think it's great that they're speaking Spanish in the movie, but what's wrong with putting subtitles for the Spanish portions when the majority of the world doesn't speak Spanish? I'd hope and expect that if the movie was released in China the entire movie was subtitled in Mandarin.ĮDIT: Maybe it's because I'm a white cismale, but I don't understand how she thinks including subtitles is a form of "othering." My understanding of the term is that it's a way of separting out a segment of the population as not normal or less somehow. And of those 20% who speak Spanish, I'm willing to bet a lot of them also speak English, either as a first language or a second language.īut like you said, this movie isn't only being released in a Spanish-speakimg country or even in only America. It's funny how she makes a big deal about 20% of Americans speaking Spanish, but that means 80% of the country doesn't and won't understand the dialogue. So, eleven hundred men went in the water, three hundred and sixteen men come out, and the sharks took the rest, June the 29th, 1945. You know, that was the time I was most frightened – waitin’ for my turn.
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He swung in low and he saw us…and he come in low and three hours later, a big fat PBY comes down and start to pick us up. They averaged six an hour…Noon the fifth day, Mr. I don’t know how many sharks, maybe a thousand. When he comes after ya, he doesn’t seem to be livin’ until he bites ya, and those black eyes roll over white, and then – aww, then you hear that terrible high-pitch screamin’, the ocean turns red, and in spite of all the poundin’ and the hollerin’, they all come in and rip ya to pieces…in that first dawn, we lost a hundred men. Y’know, the thing about a shark, he’s got lifeless eyes, black eyes, like a doll’s eyes. Sometimes that shark, he looks right into ya, right into your eyes. So we formed ourselves into tight groups…the idea was, the shark comes to the nearest man and he starts poundin’ and hollerin’ and screamin’.
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Very first light, Chief, sharks come cruisin’. They didn’t even list us overdue for a week. What we didn’t know was our bomb mission had been so secret, no distress signal had been sent. You know how you know that when you’re in the water, Chief? You tell by lookin’ from the dorsal to the tail. This reimagining of the beloved musical West Side Story tells the classic tale of fierce rivalries and young love in 1957 New York City.ĭidn’t see the first shark for about half an hour – a tiger – thirteen footer. When the very ground on which people live becomes uncertain, the necessity of passion-in love, in combat-becomes all the more apparent, and Spielberg’s fidelity to that sentiment, and to his own decisions, bears the vitality of this alternate take aloft. Heartfelt and heart-breaking, this feels like Spielberg has made an adaptation faithful to its roots but also, always, alive to the modern world.Ī solidly entertaining remake peppered with a few transcendent moments, Steven Spielberg’s West Side Story emphasises the musical’s most beloved elements without trying to radically reinterpret the source material. And Spielberg has magnificently pulled it off But relevance is easy: timelessness is the real artistic feat. Aspects of West Side Story feel as pertinent today as they must have done on its 1957 Broadway debut. There’s no need for Spielberg and Kushner to tease out topicality here. Spielberg and Kushner clearly revere that history, but they’re also not intimidated by it there are any number of instances where viewers can point to this song placement or that bit of character backstory as a new idea that the two have brought to the property, but this is a take on “West Side Story” that’s both reverent and exciting. His mastery of technique is thrilling I gave my heart to this poignant American fairytale of doomed love. West Side Story is contrived, certainly, a hothouse flower of musical theatre, and Spielberg quite rightly doesn’t try hiding any of those stage origins. And the moments in which it most comfortably allows itself to be both of those things at once leave you convinced that some harmonies are worth waiting for, even if it seems like they’ve been always been around the corner and whistling down the river. It’s a wonderful musical, and an unabashed Steven Spielberg movie. Meanwhile, I'll post some short reviews on the movie. Rotten Tomatoes: 93% (8.40 in average rating) with 28 top critic reviewsĪs with other movies, the scores are set to change as time passes.